Smokehouse Associates (William T. Williams, Melvin Edwards, Guy Ciarcia, and Billy Rose), Smokehouse Wall Painting and Sculpture, Harlem, ca. 1968–69.

Articles

“Style and Subjectivity, a Parable,” Nonsite 46 (May, 2024).
“Melvin Edwards Decides,” American Art 34, no. 1 (March 2020): 86–111.
“A Solution in Hieroglyphic: Carl Schmitt, Herman Melville, and the Politics of Images,” in Carl Schmitt and the Critique of Technical Rationality, Special issue: Telos, no. 187 (Summer 2019), 51-68.
“The Black Wallpaper: Louise Nevelson’s Gothic Modernism,” Art Bulletin 99, no. 4 (December 2017), 168-186.

Essays

“The Global, cui bono?" Nonsite 48 (December 2024).
"Emily, C'est Moi: On Emily in Paris," Artforum 63, no. 2 (October 2024), 28-30.
“Flesh and Fluff: On the Contested Legacy of Impressionism,” Artforum 62, no. 8 (April 2024), 106-114.
“Quondam Theory: on Benjamin H.D. Buchloh’s Gerhard Richter,”Artforum 61, no. 6 (February 2023), 25-28.
"Feats of Prestidigitation” in William Kentridge: Smoke, Ashes, Fable, Margaret Koerner, ed. (New Haven: Yale University Press, 2018), 141-170. Translations in French (Arles: Actes Sud, 2017) and Dutch (Brussels: Mercatorfonds, 2017).
“Social Art History, a Thing of the Past?” in “The Social History of Impressionism,” ed. Alexis Clark and David Peters Corbett, Special Issue: H-France Salon 9, no. 14 (September 2017).
"Memory,” and “Idea,” in Drawing: The Invention of a Modern Medium, Ewa Lajer-Burcharth and Elizabeth Rudy, eds., exhibition catalogue (Cambridge, MA: Harvard Art Museums, 2017), 116-125; 172-181.

Aura Rosenberg, Louise Lawler/Felix, 1996

Criticism

Gustav Klimt, Beethoven Frieze, 1901-02

Reviews

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